CuiousPages - fiction and nonfiction
CuriousPages - fiction and nonfiction
I cling to a stranger’s arm. I do not want him to leave.
“Tell me something,” I hear myself asking him.
He looks puzzled, “What?”
“Anything. I want to hear all about you,” I tell him and watch him with unfeigned interest. This is more curious to me than the most fascinating fact. I need to hear his story. If he walks away, I will be alone and I cannot be alone, “Just say something,” I tell him, “Go on, anything.” I know how strange it sounds as I watch his increasing alarm, but I can sense my shadow standing behind me, watching me, getting ready to sidestep, should I suddenly look round. “Go on,” I say, “go on—” trying to hide the desperation in my voice.
The stranger grabs my arm with his free hand and unshackles himself, “I’ve got to go,” he tells me, without even looking at me.
He can see it too; I know he can; he has seen that shadow hovering behind me and he is now running scared, leaving me alone with it, and these words surge up into my throat, I can not help them, “Coward,” I yell, watching his terror as he diminishes in size, smaller and smaller, almost running.
There are people all around me, walking, passing by, this way and that and none of them will stop; it is right behind me; I am now walking, and it is following me. Occasionally I’m sure I can hear its breath; I must stop someone else, talk to someone else.
“Can you tell me the time,” I ask another face, a stranger; I’ll never see him again; I see him for that brief second, when he enters my life, fills it; our eyes connect, see nothing, nothing but fear; our eyes are afraid; we are afraid; and then he is gone and that fear lies between us like a discarded bomb.
I walk too, leaving it behind, pursued by my shadow.
It is not a visible shadow. It’s more of a feeling, a feeling that follows me around; or an idea. No, it’s more substantial than an idea; perhaps an emotion; yes, that’s it; it’s more like an emotion, disembodied, that follows me around. And its mood changes from day to day, from moment to moment. Sometimes it starts to become angry and I can feel its gaze clothing me with discomfort.
I am almost running now as I turn into the library. I like it here. There are always people in here and my shadow stays outside; I can sometimes sense it prowling the streets, watching the windows, waiting for it to get dark, waiting for closing time when I will have no choice but to rejoin it. But for the moment I am calm. I could stay here all day if I wanted to; it doesn’t cost anything. I could just sit.
And then I must go; the librarian’s eyes have driven me away; it’s almost as if they are the agent of my shadow; they are made of the same substance, the same light, the same darkness, that same cloud of heaviness that hangs in the air waiting to descend and smother my breathing. The librarian’s eyes whisper to my shadow as it prowls outside and the two are singing their cloud towards me, as though my shadow had hypnotised the librarian’s eyes and, through them, it could enter the building and pursue me. I stand and make my escape.
Outside I stay one pace ahead of the shadow; if I walk quickly enough, it will never reach me. But then I arrive at my front door. I place the key in the lock and pause. I know that once inside, there will be no escaping it, but as I stand there, paused, I can feel it closing in on me. I turn the key and close the door behind me. I stand, perfectly still and silent for a moment. I think I have left it outside. I cannot sense it in here with me.
I draw a curtain across the door, as though keeping out light would bar its entry. I turn and look along the hall but in the distance I think I catch a glimpse of it running between my kitchen and another room. It seems that it’s already in here, prowling my house around the edges of my vision, waiting for its moment to envelope me, a moment when my guard is dropt, fallen to the floor like a carelessly abandoned garment as the shadow then clothes me instead and I feel the immensity of its nothingness expanding from deep within me, till I am it and it is me, and I am a tiny, aching spec lost amid endless, empty space.
I walk into my living room and close the door behind me, switching on only a small sidelight. Somehow the semidarkness is a comfort, is somehow company. I stand with my back to the wall. If I keep watch, I should be able to resist it. I don’t think it’s yet inside the room with me. I stand for a whole ten minutes, secure, but imprisoned. What am I going to do?—spend the whole of the rest of my life standing against this wall? This is crazy. How can I live like this? I have to face it; I can’t stand here anymore; I can feel it waiting out in the hall, patient, dormant, like an invisible cloud coiled in the form of a snake, sleeping but conscious, waiting in the sure knowledge that I will come to it; I will have to; all it has to do is just sit there waiting, patiently waiting and I can take it no more; this is all crazy; just do it to me; let me have it; and I am opening the door and then I’m out in the hall and I have surrendered and that snake springs and envelopes me. I drop to a sitting position with my back against the wall and my whole being is an empty, disembodied ache.
I have become afraid of this feeling because I know what it wants me to do, and one of these days, very soon, I just might do it. This certainty is the only clear thing left to me in moments like this. It is my constant companion; it is as real as a loved one; it is the only reality I can truly sense and know. I sit here with this clear idea inside me now, and I am not afraid of it anymore, now that it is here inside me, this knowledge that at any moment now I just might enact the simple, final solution. I acknowledge this idea and then feel lifted. It seems to depart from me—for now. It seems it only wanted to know I had not forgotten it.
The hall somehow feels lighter. I stand and resume my routine. And I know that for one more day, my life will be safe.
A man who was out walking his dog, stopped on the pavement before 17 Misconception Boulevard. He looked on as his dog positioned itself, then cocked its leg against the garden’s waist‑high wall. While watching the jet hitting the wall, the man decided to have a go himself, so he unzipped his flies and began urinating over the wall while whistling nonchalantly.
He heard something nearby, looked up and noticed a car in the driveway with a man inside it prodding the windscreen and shouting at it. Obviously (reflected the dog‑walker) he did not appreciate the kind deed they were doing him by washing his wall.
The dog‑walker zipped up his flies, turned and launched into a brisk march along the pavement. The dog’s lead twanged—the dog not having finished doing its kind deed. The man tugged violently but the dog merely jerked forward a step while keeping its leg cocked, so the man attached the lead to his belt and threw himself along the pavement. The dog made a loud choking sound, hopped along on three legs while its fourth wavered undecidedly, then the dog dropped all resistance and sailed on along the pavement.


Some links to other sites of literary interest.

Project Gutenberg. The first internet archive of free electronic books. There are now over 25,000 books available free at this site.

eBooks@Adelaide. The University of Adelaide Library’s collection of Web books. The collection includes classic works of Literature, Philosophy, Science, and History.

ReadPrint. Online books, free to read. From all the classic authors, though with some authors, only the most well known of their books are yet added. The books are nicely laid out easy to read.

Complete Works of William Shakespeare. The Web's first edition of the complete works of William Shakespeare. The texts are clearly and simply laid out, making them a joy to read. Navigation within each play is also straightforward.

The Literature Network is a vast store of online texts: books, short stories, poems. The full texts are included but the more popular works are peppered with advertising. If you don't mind that, happy reading.

Gaslight is an archive of classic short stories which were originally published as an internet discussion list. Genres include: mystery, adventure and The Weird.

East of the web. A growing collection of classic and newly-written short stories made available on the Web. Stories are organized by theme: fiction, romance, crime, sci-fi & fantasy, humour, horror, hyperfiction, children's, and nonfiction. Includes works by many famous authors.

George Boeree. This site contains many fascinating nonfiction etexts introducing every aspect of psychology. George's writing is clear and straightforward.

The Internet Classics Archive. An archive of works of classical literature in English translations. The works are mostly Greek and Roman, with some Chinese and Persian works.

Online Magazines Current affairs magazine with short stories, essays and poetry. See the archive of short stories.

Narrative Magazine. Fiction, poetry, short short stories, nonfiction, features. Good quality writing. You can subscribe to the site free of charge, which will allow you to read the full text of the stories.

The Oldie. This magazine was created by a previous editor of Private Eye, as: an antidote to youth culture but, more importantly, a magazine with emphasis on good writing, humour and quality illustration.

Zoetrope All-Story. A short story magazine. You can read samples from many of the stories online, but will need to purchase a subscription to read the full text.

3:AM Magazine. Containing fiction, nonfiction, interviews, poetry, opinions.


How to Write a Story is a blog consisting of articles on how to write. Today's news stories from around the world. And other similar reference material.